the track is the theme of super sunday a yearly festival on the 6th of april which attracts 5.000 punters who enjoy listening to the sounds of major national and international djs across the globe. a vocal belter with the catchy and inspiring lift u up lyrics backed by a beefy synth line and finely percussive beats.

songs from the source is a lost and found 1973 recording of the source family. these twelve songs were recorded live in the hollywood hills as a rehearsal for a concert date that spirit of 76 - aka yahowah 13, the savage sons of yahowa, yodship, and firewaterair, now known as children of the sixth root race - had at the whisky. a 1/4 tape copy of the recording was found in chicago in 2006, though no one is really sure how it got there. djin aquarian, rhythm guitarist and songwriter for spirit of 76, recalls being sent on a mission to chicago later in 1973, where he believes he left the tape with an old friend. djin wrote most of the songs in the year before he joined with the source, as part of his solo mystical quest to help enlighten the world before it might annihilate itself, adding, im glad both the album and the world are still here.though this rehearsal wasnt meant to be released at the time, there are probably no other recordings as complete of the band doing these songs. the spirit of 76 had a different sound than the one yahowah 13 made with yahowa. songs from the source has more r n b grooved energy, with splashes of synth and organ, a female vocal chorus and streamlined fusion rhythms backing the uniquely yahowan lyrical populism of songs like godmen and lost dead but hoping. songs from the source is a miraculous missing piece of the sources positive musical movement. the members of yahowah 13 (djin, sunflower on bass, octavius on drums) were joined by family members ahom, aquariana, cinderella, rhythm, vibration, and zoroaster on lead guitar, to create the ecstatic sound of spirit of 76.

brothers bud boldly return with a double dose of peak time finger lickin dopeness in the form of the sting/remedy. dom bud is the in house engineer for micky slims productions, so its no surprise that the electro flavours have rubbed off. the stings synth bassline buzzes and stabs amongst distinctly rolling rhythms, neither sitting in the breakbeat camp nor electro, just where we like it! on the flip remedy is pure finger lickin. clicking, disco stabs and cowbells, laced with fat drums and dreamy house vocals make this an essential addition to the ever expanding brothers bud armoury

excellent & deep masterpiece!! one of the more interesting newcomers of 2007, we are delighted to welcome a new ep by october, his first for perspectiv. having turned heads with three singles on his own label caravan, octobers organic techno cuts and thuds, adding an inherent physicality to his productions. a side title track >say again< revolves around a female vocal loop, fuzzing and throbbing with pulsed melodic tone, punching live percussion and deep bass line. a highly unconventional mix, this composition ties together effortlessly, peaking with a deep and droning wave of analog synth and popped beats. b side >go outside< is an after hours treat. a darker, deeper and altogether more ethereal work, stuttering beats are glued together with a warm prodded synth melody. to close, resonant percussion and phased keys submerge the track into a claustrophobic climax.

legendz records is the normal follow up of famous legendz parties which started in belgium three years ago . for their first release, they decided to invite two belgian producers from two different musical horizons and see how it goes . kolombo is famous for his electro house style with releases on king kong, turbo, systematic, karate, his own vice versa or loulou records. sierra sam is more into the minimal world with music on trapez ltd., einmaleins, his own toys for boys and soon contexterrior the two friends decided to mix their skills on three tracks: alive is based on a fat synth line and rolling bleepy percussions, articulated around a vocal sample. extra voices takes another vocal sample , but adds it a more acid synth line and some more percussive drum soundsscreaming lord is a more aggressive track with more noises and fast percussion lines..

techhouse with huge electro bass line, catchy melodies, blend of tech rhythms with addictive synth leads and deep strong vocals. nature of destiny having a major effect on the dance floor. on the flip side we can find three outstanding additional remixes from top international producers.the amazing israeli duo brisker & magitman manipulates nature of destiny to a crossover between progressive house and techno, adding their own trademark elements into the mix!!!

split ep of dark metallic hard-fun from the human shield mixing funnel. manasyt leaves his manners at home and takes the a side by force with two solid cuts of pure industrial horror: wrist sewing leaves little to the imagination whilst his bloc 08 set opener vibro speeds up the synth suspense until your loins are sore and your mind is truly spent. overworked and underpaid north wales bedroom musician cestrian (bunker/monox) softens the blow just a bit on the reverse with his hearse giving you the perfect funeral, driving off into the near distance with dead waves and metallic shards of fluctuating hiss. the stately anti funk of rizzla teeth brings us to a conclusion with gun metal grey sneers of contempt and harrowing neg vibe downer skree. suit up and dig in!

its rare these days that a song can rock the dance floor while maintaining quality and integrity but also leave you inspired by the message in the music. house nation is a prime example of this combination. double impulse delivers a groovy chicago beat with a gritty electroish bassline filtering in and out while layered sweeping synth pads glide on top. house nation strips it down and moves into slightly more techy territory with a bouncing bassline and dubbed out cut up vocal snippets.

new label founded by frankfurt based dj & producer robin jacobs. finest deep hypnotizing synth flavoured berlin anthem from nico grubert, well known from his releases on labels like definition, tonsportgruppe or whirlpoolsex. incl more driving mihalis safras(trapez) remix. support by mark broom, holgi star, two_em, dj emerson, micha klang, liberto

matt u?s >mute soul< features a fast moving conga sample mixing with analogue synth stabs and an extra deep sub bass line, all underpinned by a simply massive beat. the b side >parilla< by cardopusher, also features an interesting percussion arrangement, with a stepping beat and a some mid range lfo madness sitting on top of the sublime b-line

pulsating subbass, stumbling percussion and the metallic snare are the leading elements of sand (a1), the opening-track of the record. over constantly mutating rhythmical patterns a ghostly synth-pad comes in from time to time, hovering on top of everything

as one of the leading voices in japans techno and house scene, this dj, producer and live performer knows what dark textures, dirty bass lines and driving beats are all about. this ep arrives as a bit of a powerful undercover tool style installation, full of simple percussive allotments, syncopated synth bass stabs and plenty of swing. hane starts out as a pretty straightforward loop minded drum workout, but before you know it a delicately plucked synth jam ignites the mix.

the 5 beats parisian head takin us to a fascinating one way trip straight to the epicenter of the lectromatrix on the vibrant synth led the journey opening this 2 tracker with the result guaranteed to blow your minds up. and he seems even goin further on the bouncing hades foreshadowin what might pretty well be considered as a piece of - call it whatever - garagey tech or techy garage...

the perspectiv crew are proud to announce dachshund’s new release, with the geneva based producer delivering us two fantastic tech-house anthems. with previous releases on num, 60 sec and platzhirsch as well as collaborations with fellow swiss producers quenum and lee van dowski, this is his first perspectiv release. >perception< is a trip into a blown mind. a devastating edit powered by crunching percussion and pounding bassline, arabic synth melodies and samples of children playing give the production a mood that is both abstract and rejuvenational. >holiday now< is persuasive, percussive house. motored by deep staccato synth and a crackling beat, sirens float throughout the mix amidst a prodded bass hook

the phantom image‘ is a teasing, acid-tweaked club tool, stripped and refined. it burns slowly from both ends and builds in classic style, amounting to an insatiable hypnotic moment, instinctively connecting the mind and body with only one vital message: to move. flip over and you‘ll find two more seriously deviated cuts, in the form of steve bug‘s edit of >the fruit fly<, and vincenzo‘s orginal mix. both mixes raise the intensity from the late night tripping atmospheres of >phantom< and take us straight into the peak time poker flat style. phasing synth stabs and a floorshaking bassline take the track sky high, with vincenzo‘s trademark impeccable production at the centre of it all, ensuring every moment comes through loud and clear. bug‘s edit raises the drama a notch, peaking with a different flavour, whilst the original is a true gem and a classic example of the non-stop power of vincenzo‘s creative output!

based on the original 1983 synth pop version!!

5 premium disco cuts edited & updated by mikeburns. starting in the funkier realms of disco, then moving on to the full on spaced out stuff and ending on a real classic 80s note, this ep has it all, complete with dubby effects, freaky synth lines and improved mixability

released 1983. synth-pop, disco produced by gerry gabinelli & michael burton. sealed original copies.

after many years attending diy parties paul wong and andy elston put together this modern slice of click trax meets bumpin house groove. originally on diy discs label. now seeing the light of day on, expect a tightly produced male vocal led excursion from tight house beats to melodius electronica.pauls tight production nails down a sweet selection of modern synth vibes over a raunchy backbeat

german deep house maestro ralf gum continues his superb output with another single taken from his celebrated long-player >uniting music if no harm>’,is featuring rachel claudio on vocals and proves ralf’,s talent to deliver songs with the right combination of elements to make a serious impact on the advanced dance-floors. the pumping beats and multi-layered percussion in the ‘,original mix’, are surrounded by an effective baseline and kicking poly-synth stabs to build the driving musical bed for rachel’,s passionate vocal.

early support finds favour with laurent garnier, claude von stroke, ralph lawson, mark knight and deep dish&#146,s sharam. it&#146,s been a while since we last heard from mike monday &#150, almost two years, to be exact when he delivered smorgasbord, which won numerous accolades and superlatives in the dance press. lauded as album of the month in i-dj, while dj mag called it a lp we just can&#146,t put down, others jump on board and claim it as a future classic. now signed to san francisco&#146,s om records label, the man who never fails to impress, educate and entertain is back. >the 11 11<&#146,(no, we&#146,re not sure what it means, either) is backed with the equally oddball titled &#145,>hello nest<. regardless, it&#146,s another terrific house offering that pairs dubbed-out beats with techno-tinged melodies to create a modern day jackin&#146,sound. the addition of a driving synth-line only helps this swing, shake&#145,n&#146,rattle in all the right places over a dirty-as-hell bassline. anything but what we&#146,ve come to usually expect from the label, the sund is an equally refreshing break from convention for om, and is taken from the upcoming album, songs without words&#146,by monday

this second vinyl sampler takes two more lead cuts from tims album, >smash & grab< is a techy prog affair, a stickly synth driven affair cut around hooky vocal samples. a real head swirling affair. on the flip we are treated to the beautiful 808 style intro track >sticks & stones<

the superb disco deviance crew look forward to the summer sizzle with two wonderful edits by nu-disco don pete herbert (reverso 68/lsb). having forged a rock solid musical reputation with his and phil misons reverso 68 project, pete has also built a reputation as a force to be reckoned with in the dj booth. known for his love of the balearic disco sound, ph is part of the new breed of djs who are continuing the dj edit tradition by creating their own versions of classic and lost tracks for their dj sets. first up on this release is the amazing >dont let go< by tony orlando of dawn and tie a yellow ribbon round the ol oak tree fame. this track was tonys take on the disco sound and with its lush strings and mellow instrumentation it is a highly infectious, yet lesser known piece of disco history. a staple of ph dj sets this track is a definite killer summer groove. on the flip, the synth led italo disco sounds of ivans >fotonovela< are given the ph make over and turned into yet another balearic disco bomb. enjoy, play it loud and keep good music alive ! dj play: laurent garnier, greg wilson, ashley beedle, popular peoples front, jd twitch (optimo), faze action, the unabombers, jg wilkes (optimo), bill brewster, tim sweeney (bis), jim stanton (horse meat disco), harri (subculture),stu patterson

a side feat a synth driven italo disco stomp!! flip for the more classic sounding gem its a war!! huge double a side on vintage!!!

this ep is all new school techno, side a brings >expanding<, which is a 11 minutes epic builder, coming in two parts. lush hypnotic synth galore, and be warned! don’t underestimate the bassline in 2nd part. >contracting< goes more uptempo and funky with strong club appeal

fresh from his recent 24/7 recording sessions comes this ultra powerful double sider destined to blow your headz and keep yer feet dancing on a never ending story. no need being a musicologist to realize where gigolo takes his major influences from sounding like a blatant contemporary response to disco don giorgio moroders classics with a deep cinematic emphasis as created by the synth lines. meanwhile klubhead takes where those ultra magnetic grooves which would make the reputation of the zanzibar such as underground solutions luv dancin or dee dee braves my my lover left in the beginning of the nineties.

following the success of last years >nitrogen 2 oxygen 1< ep for siteholder records and the recently released >filthy fibber< ep on uncut, the duo of billy dalessandro and daniel mnookin have teamed up once again under the slutbox moniker to deliver the >backseat driver< ep. switching up the rotation, the ep kicks off with los angeles based producer jason emsleys >lick it, smack it, rub it down remix<, a filthy number that no amount of sludge can adequately describe. a subtle, yet effective rhythm section keeps the dance floor busy while the dirty synth overtones grow larger and larger until they have conquered ones brain synapses. feeding off of the original vocal and adding some x-rated lines of his own, if pornographic techno wasnt a genre before, it is now. the original is pure slutbox at its best. deep bass, seductive rhythm, addictive loops, and a spanish guitar combine to make this one another club killer. as if you had a choice, please make your way to the dance floor - the night has begun. rounding out the vinyl release is st. louis via berlin dj/producer butane (a.k.a. andrew rasse). known for his widely praised work on his own alphahouse label, as well as top techno imprints dumb unit, num, and rrygular, butane has long been a friend of the siteholder crew and takes this opportunity to make his debut on the remix tip. deep, druggy, and hypnotic, butanes >percocet remix< is what one has come to expect from the late night veteran. whether its early evening, time to jack, or after-after hours, the >backseat driver< ep is an all-in-one tech fueled necessity

the 3rd release by scott grooves on his natural midi label, this is scotts first ever ep and color vinyl release. all 4 tracks possess a different mood and distinct raw edge, which plays well on this well balanced ep.track 1 dark blu speaks for itself, simply stated and deeply enriched. the relentless melody never lets go of the groove and the groove never lets go the melody. everything in this track harmonizes together perfectly.track 2 dna definitely disturbs the peace with vintage analog synth sounds. the old school sounding vocal sample echoes thruout the track that >detroit needs analog records< take a listen and decide if that echoes true!track 3 >it doesnt all have to be techy< as the title suggest there is know >techyness< here, its all about a deeply stormin groove that is enriched with warm melodic keys and a lovely guitar, yes i said guitar that altogether creates a feelin thats organic but not boring. track 4 decimalquivers in and out with a fm gritty synth stab, complete with minimal drums or as scott calls them >drims< which is the term scott uses for minimal drums. also present is a deep pad sound that brews slowly like an eruption. co-produced by panther, a name you will hear more about in the future

a dark hypnotic tribal burner with some uplifting 80s synth sounds on top of it that could best be described as radio slave meets lindstrom! feedback: martin eyerer the original is very good! for a track that makes such an impact, the label could only entrust remix duties to a true production don, and jerome sydenham is that man. he delivers a heavy duty blacktro dub that is set to make an impact with so many of you!

the huge...long awaited...return!!! includes massive workidz techhouse remix with this nice moby synth riff (go)!!!

big room house track with male vocals and a catchy synth riff! includes alessandro viale and john puzzle mixes!!

opener >playing for keeps< is an exhilarating trip, centered around a swinging mapped by crunching beats. chopped and skewed, pulsing electro house melodies fight for attention with sampled cuts of big band, tiring to a slow and heavy halt before picking themselves up and punching it out to close. >playing for daddy’s girl< is an equally agitated reprise, introducing distorted 8-bit melodic tones and a throbbing deep bass into the fray as a sampled audience cheers on the ensuing battle for the listeners attention. on the b side, the mole transforms >playing for keeps< into a driving house number, with subtly escalating melodic synth growing into a deep and hypnotic dark electro sweat fest

pogo features digitalisms trademark synth saturated production & live drums, but they ve introduced some new order esque guitars & jens moelle from the band singing vocals. these remixes of pogo comes courtesy of css. digitalism make electronic music that everyone can rock to - they are part of a new breed of producers leading the renaissance in electronic music reinvigorating and uniting the indie and dance scenes. after their sell out dates last year, hamburgs hard working digital duo continue to troop the globe with even bigger tours at even bigger venues before hitting the festival circuit.

dutch wizz kid estwa has landed in new york city. time to drop four on the floor and get served by his debut ep break it down released on brooklyn zoo mbc. featuring vocalist j cast & a clay and remix masters herve, detboi & chew fu, the break it down ep is a deeper journey into the saw tooth synth universe of bounce

andrés first release for simple records >wanna feel< is all about the resonant, hypnotic bassline that steadily opens out to reveal more layers of harmony. little sounds and licks of melody dance around the bass whilst strings and stabs build the hook into one big crescendo. brooks melancholic strings, cleverly cut up the bassline and an eerie soundscape pushes the vibe of the original into a darker more sinister techno place….this is the lights out, heads down, touch me in the dark kind of groove that we love! finally >move< is an absorbing and patient deep house gem. plunging into a backdrop of prodded keys that subtly shift in shape and tone, a central synth melody climbs to euphoric climax before retiring back to waves of throbbing bass and rolling percussive loops

nice price deal !!! the pairing of dohr & mangold have already started to be something of a revelation, the guys are definitely turning heads & getting labels excited. john dahlback continues his amazing array of remix work by once again showing quite simply why hes one of the best in the business. deep, spacey & atmospheric...style of eye delivers a cool synth stripped rework that builds and builds... just watch those reactions as the bassline kicks in from the break – you have been warned!

straight from the pink slow studio, david garcet strikes us with 4 new cuts. the a1 is simply said a good floorfiller. expect some straight forward beats and percussion work with that characteristic bleepy synth line being used to full effect. the >monday mix< is yet pretty mellow. the synths have come down a bit and the arpeggios are more upfront for that melancholic vibe.

number one in dave clarkes charts !!! percussive stormy synth stab grooving techno

the new great soulful jori hulkkonen album.. featuring ebb, jimi tenor, justine electra, nick triani, john foxx, jerry valuri and ernesto

deep grooving piece of house music with atmospheric string and synth riffs. flip for the manuel tur & dplay remix

nice price deal !!! brutal traxx is a brand new label for 2008 focusing on the heavy, dance floor side of dubstep, bassline & breaks! first up is chae style, the mellowest of the first 2 tracks but still dancefloor friendly, its all about the oldskool flava blended with new production techniques and q & a basslines! the flipside is called trippin, a hypnotic blend of synth and bass with an energetic arrangement and enough tricks in it

war is a hypnotising roller characterised by its deep synth, subtle percussion and deep bass. the track sets a perfect dubby and melodic atmosphere. the flipside hosts gaijin, a high voltage track with a perfect harmony between the smooth progressive bassline and aggressive stabs. watch out! these tracks will rock the dancefloors over the world.

a side feat some cool ragga/dancehall vocals. flip for wide awake with his huge synth riffs!!

incl great santorini remix for fans of italian minimal tech

thumping house gear from ferrer and sydenham on this 10inch release on ibadan. behind a booming bassline and a little french kiss synth influence as well, double penetration is perfect for that late night floor action, with a little progressive feel in the sweeping synth lines setting it off just right. both mixes glide effortlessly along - in fact if you get 2 copies and play both sides one after the other, the results would be outstanding!

ferrer and sydenham having been knocking out some superb stuff on the ibadan label recently, and sandcastles doesnt break the streak, with its sublime piano line coming into its own late in the mix after a lengthy lead in of subtle percussion, throbbing kickdrum and stellar synth play. a warm and lush track, the cut builds through the beats, to the piano line and finally to vocal refrain and a wall of synth strings that round this track off perfectly.

deep and spaced out tracks, the best being the deep detroit tinged mix from atjazz with some smart juno synth work and jacking machine beats.

take some banging stripped back drums, a hefty dose of bassline, sprinkle lovingly with soundscapes, samples and finally, just a sprig of synth for good measure. serve in a venue full of up for it clubbers and there you have it - olmeto016. definitely best served hot!

incl argy remix !! tokyo s rising star ryo murakami has already put his diverse, electronic sound on the map with the >rise< ep on dessous last year, and received great praise for his track >my soul<, snapped up by steve bug for the fabric mix series, which was piled high with atmosphere and dark, club energy. his next 12 includes two new tracks, the title cut being >down the sky<, cooly influenced by old school house, but also more recent european forays into night music. ryo demonstrates a heavy aptitude for stripped down futurism, with staccato, jilted beats, joined by layers of padded synth structures, looming somewhere between light and darkness. the b side, ‚coke‘ (no questions asked) welcomes another one of ryo‘s extended journeys, this time a stronger, peak time groove which never lets off, and builds around layers of spaced out, pitching fx. brain-tingling pitching synths heat things up, before laying down a super-funk hook that melts on top of the beats irresistibly. ryo then leads us head-first into a series of spac d out, jacked-up movements, characterised by risque, feminine vocal snippets. poker flat‘s young greek maestro, argy, creates a stunning hi-tech remix of ‚down the sky,‘ complete with mesmeric dub influenced chord stabs and tripped out washes of delay. once again carrying on the vibe of the original, but twisting it into an altogether different beast, argy takes ryo‘s warm synth stabs and shapes the remix into a slow paced yet pumping club tool.